Prominent Groups:
Skwatta Kamp | Cashless Society | Optical Illusion | H2O | Morafe | Teargas | Driemanskap | Tumi and the Volume |Godessa | Die Antwoord | Hidden Force | Jozi | Entity | Last Days Fam
Prominent Solo MCs:
Mizchif (RIP) | HHP (RIP) | Tumi | Hymphatic Thabz | ProVerb | ProKid (RIP) | Zubz | Amu | Slikour | Pitch Black Afro | Flabba | Zuluboy | Mr. Selwyn | Tuks | JR | Snazz D | Ben Sharpa (RIP) | Reason | Khuli Chana | Ms. Nthabi |Da Les | Maggz
Notable Events:
This was the decade of prime respect for the Producer, when the one who made the beat was at times more popular than the rapper. On this part of the series we will graffiti the Timeline with the experience of one of the most renowned producers in SA Hip-Hop, Tongogara Battlekat Ntlokoa.
2000
- Mizchif (Hechichamunorwa Kwenda) takes over the hip-hop streets with his first EP (1999), Life From All Angles.
- Spex (Vongani Rikhotso) is haled ahead of his time with his first EP (1999), Rhymziwrote
- HHP (Jabulani Tsambo) releases his debut album,
- Formation of Cape Town crew Godessa by Burni Aman, EJ Von Lyrik andShameema Williams.
- Formation of Soweto rap duo Zulu Mobb by Inshala(Thato Mahlatsi) and Dez(Desmond Radebe).
2001
- Skwatta Kamp releases its first mixtape on cassette, Skwatta Kampaign.
- Cashless Society releases their first EP, Blaze Tha Breaks, through the independent Unreleased Records.
- Optical Illusion releases their first mixtape cassette, Thoughts Illustrated.
- Mizchif teams up with Kwaito artist Mavusana to release the album Summertime through Ghetto Ruff.
- Tumi releases his first mixtape, Tao of Tumi.
- Hymphatic Thabs releases his debut album, Error Era.
- Formation of Cape Town crew, Driemaskap by Elnino (Elethu Mpengesi), Ma-B (Sonwabo Kambi), Dla (Dlambulo Mancunga) & Redondo (Bukhulubakhe Nompetsheni)
- Zwai Bala’s Lifted vol 1 controversially wins Best Rap Album at the South African Music Awards (SAMAs)
Rapper and producer Tongogara "Battlekat" Ntlokoa reminisces: "In 2000 while doing my second year sound engineering with Allenby Campus, I met and became friends with Skwatta Kamp member Nkuli Habedi (Flabbagasta); I asked Flabba for a feature and he asked for a beat, and the rest, as they say, was history.
"Inspired by how Skwatta Kamp released their tape in 2001, which was exclusive on cassette and sold hand-to- hand, we as Optical Illusion released the project Thoughts Illustrated, which with the help of manager Romeo "DJ Romz Deluxe" Malepe got a dope review on Y-Mag.
"It also got us our first gig as a head-lining act at one of the monthly events hosted by Kenneth "DJ Kenzhero" Nzama, known as the Open Mind Sessions, held at the original Bassline in Melville."
The Open Mind Sessions is where I got to meet other Hip Hop acts on the come-up such as Tumi, and Hymphatic Thabs, even Spoken-word Artists such as Lebo Mashile and Zee Cube, and the band 340 ml were also a regular act there, which is where Tumi actually met them; poetry, live bands, and Hip hop where inseparable at the time.”
2002
- Production company Black Rage launches the independent stable, Outrageous Records (Rage).
- The first SA hip-hop Magazine, Hype Magazine, is launched.
- Skwatta Kamp releases their debut album through Buttabing Entertainment, Khut En Joyn, earning them Best Rap Album at the SAMAa and the Metro Fm Music Awards (Metros).
- Tumi teams up with the band 340ml to form hip-hop live band, Tumi and The Volume.
Godessa releases debut single,Social Ills, which is playlisted in the UK, the Czech Republic, and made available on 12" vinyl through Lowlands Distribution in Belgium. “The early 2000s were big for hip-hop, it was the birth of Rage, Hype Mag, a lot of independents, and Gallo and Ghetto Ruff taking in rappers.
I had just gotten a job at Rage as a music production/ sound engineer. By the end of that year I had completed work on a compilation project that Rage partnered with Sprite on titled Expressions, which featured a collective of rappers, singers and poets who were mainly up-and-coming, and some who were already making waves at the time such as Proverb, Amu, Selwyn, Skwatta Kamp, Optical Illusion, Tumi, Ngwenya (formerly of Skwatta Kamp), Nosisi (who would later become the Lead Vocalist for Kwani Experience), Lebo Mashile and Outrageous Records own signed artists Pebbles, Zubz, and H2O,” Tongogara said.
Golden age of hip-hop a memory trip
"A lot of people must know that rap started way back in the continent of Africa. There's also different musical tastes of rap, our style is this style of hip-hop." - Afrika Bambaataa.
The rise of the SA hip-hop wave in the 1990s was propelled by the gale that is rap in kwaito, a juggernaut genre that swept the whole country into a euphoric frenzy.
The first Boom Shaka single, It's about Time (1993), had Thembi Seete "ceasing the needs to disease with ease" with intricate rhyme schemes; Bongo Maffin saw Stoan Seate rapping in what has become a hip-hop sub-genre called motswako.
TKZee released what was to be one of the best albums in the history of SA music, Halloween, where Tokollo Tshabalala and Kabelo Mabalane rapped to a point that they even passed soccer star Benni McCarthy the ball.
It seems that even with the use of an essential element of hip-hop in other genres, there was not a confusion of the identity of hip-hop in South Africa, but rather an aid of sorts that led to a wide-spread acceptance of this foreign culture.
Exploring the evolution of the hip-hop culture in SA
SA Hip Hop Timeline
2000 - 2010
The arrival of Y2K did not bring the end of the world as we knew it, but the beginning of the end of SA hip-hop as a niche culture and music genre.
This age came with a wild mushrooming of hip-hop cyphers at high school gates, libraries and sports centres countrywide; the YFM Rap Activity Jam became a dandelion with the youth whisking its seeds to scores of radio stations across the country.
With shows like Harambe (Bad Boy T, Lee and Sanza), Open Mic Set (Zak Dakile), Rhyme & Reason (TBo Touch), The Essence (Kamza), The Joint (AK), etc, Le Club seemed to have birthed a flooding litter of sessions that hounded club owners in every major city. There was Black Sunday, Slaghuis, 1808, Splash Jam, Forefront Movement, EvoLokxion, Heavy Hitters, Inqaba at the Bat Centre and Puppet Masters.
Where there was a park, the grass and pavement were kin to the B-Boy; graffiti was climbing inner-city walls like ivy.
We were purchasing hip-hop magazines, and dubbing hip-hop music with cassettes from our home radio.
This is the age that gave birth to kasi rap, spaza, and popularised motswako and boom bap. An age where there were too many rappers to mention. It was a glorious age! The golden age of SA hip-hop.
Prominent Groups:
Skwatta Kamp | Cashless Society | Optical Illusion | H2O | Morafe | Teargas | Driemanskap | Tumi and the Volume |Godessa | Die Antwoord | Hidden Force | Jozi | Entity | Last Days Fam
Prominent Solo MCs:
Mizchif (RIP) | HHP (RIP) | Tumi | Hymphatic Thabz | ProVerb | ProKid (RIP) | Zubz | Amu | Slikour | Pitch Black Afro | Flabba | Zuluboy | Mr. Selwyn | Tuks | JR | Snazz D | Ben Sharpa (RIP) | Reason | Khuli Chana | Ms. Nthabi |Da Les | Maggz
Notable Events:
This was the decade of prime respect for the Producer, when the one who made the beat was at times more popular than the rapper. On this part of the series we will graffiti the Timeline with the experience of one of the most renowned producers in SA Hip-Hop, Tongogara Battlekat Ntlokoa.
2000
2001
Rapper and producer Tongogara "Battlekat" Ntlokoa reminisces: "In 2000 while doing my second year sound engineering with Allenby Campus, I met and became friends with Skwatta Kamp member Nkuli Habedi (Flabbagasta); I asked Flabba for a feature and he asked for a beat, and the rest, as they say, was history.
"Inspired by how Skwatta Kamp released their tape in 2001, which was exclusive on cassette and sold hand-to- hand, we as Optical Illusion released the project Thoughts Illustrated, which with the help of manager Romeo "DJ Romz Deluxe" Malepe got a dope review on Y-Mag.
"It also got us our first gig as a head-lining act at one of the monthly events hosted by Kenneth "DJ Kenzhero" Nzama, known as the Open Mind Sessions, held at the original Bassline in Melville."
The Open Mind Sessions is where I got to meet other Hip Hop acts on the come-up such as Tumi, and Hymphatic Thabs, even Spoken-word Artists such as Lebo Mashile and Zee Cube, and the band 340 ml were also a regular act there, which is where Tumi actually met them; poetry, live bands, and Hip hop where inseparable at the time.”
2002
Godessa releases debut single,Social Ills, which is playlisted in the UK, the Czech Republic, and made available on 12" vinyl through Lowlands Distribution in Belgium. “The early 2000s were big for hip-hop, it was the birth of Rage, Hype Mag, a lot of independents, and Gallo and Ghetto Ruff taking in rappers.
I had just gotten a job at Rage as a music production/ sound engineer. By the end of that year I had completed work on a compilation project that Rage partnered with Sprite on titled Expressions, which featured a collective of rappers, singers and poets who were mainly up-and-coming, and some who were already making waves at the time such as Proverb, Amu, Selwyn, Skwatta Kamp, Optical Illusion, Tumi, Ngwenya (formerly of Skwatta Kamp), Nosisi (who would later become the Lead Vocalist for Kwani Experience), Lebo Mashile and Outrageous Records own signed artists Pebbles, Zubz, and H2O,” Tongogara said.
2003
2004
2005
Image: Instagram
2006
"In the years that followed the ball was rolling, we were living a dream, touring and being paid well for doing something we would do for free.
"I remember distinctly one time in Bloemfontein when ProVerb was running for his life chased by a mob of fans, and another in Eastern Cape as the crowds rapped to every word of our songs."
Hip-hop was becoming bigger than kwaito, the biggest kwaito songs were derivatives of hip-hop, with guys like Zola winning kwaito awards with raps in their songs.
"Hip-hop became a real career for most of us, something that was once unthinkable,” Tongogara concludes.
2007
2008
Image: Sibusiso Msibi
2009
2010
The first decade of the 21st century haled with a plethora of rappers and hip-hop related events, it is heart wrenching that one cannot mention all of them, but only those who worked themselves into the history books.
“If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written.”
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