Sangoma singer Desire Marea helps heal people with music

Muso connects with ancestral spirits through sounds

Masego Seemela Online journalist
Desire Marea explains why infusing his spirituality in his music is important.
Desire Marea explains why infusing his spirituality in his music is important.
Image: supplied

As an artist trained as a sangoma, singer and music producer Desire Marea taps into deeper connections with ancestral spirits through his music.

For the past two years, the multidisciplinary artist, who is a traditional Nguni healer, has been using soothing percussion effects of a blend of electro and bop jazz to invoke spirits that live within him as he enters into a trance state while singing melodies to help heal people through his music.

“My music is a different kind of medicine. In my work as a sangoma, ancient songs and drumming sequences are used to invoke spirits who live in me so I enter into a trance state. In my work as a musician, I heal people using music. It's a different kind of medicine but one in which I often have to channel different spirits, different truths and the essence of light,” says the 31-year-old singer.  

“It was a process to find my voice ... I had to surrender and devote my all to music for me to establish the kind of singer that I am. I realised that when you are devoted to the truth and the feeling of the music, your voice will somehow surface.  

“Growing up, I never thought I could sing and even now I still doubt that I can sing – for me singing is something I have to do because the music needs me to sing.”

In 2011, at the age of 19, Marea recalls receiving and feeling the music in a way he couldn’t ignore. He felt that divine sources were channelling him to use his talent to create music as a producer and a songwriter.   

“I started singing professionally when I was 19 but my music career only peaked in 2015 when I was 23. My journey thus far has been a blessing, I’ve had the privilege to perform on a lot of platforms, especially as an artist who makes music that doesn’t fall in other commercial genres,” he says.

“I must add that as much as I feel blessed, it has been quite a difficult journey finding my space in the music industry, but more than anything, I’m just glad to be living in my truth as a singer.”  

Image: Supplied.

The spiritual singer is based in Amandawe, KwaZulu-Natal; he speaks highly of his connection to nature through a kaleidoscopic spiritual lens much like the ancient times of his forefathers.

“I aim to protect and respect the essence of my music – that’s my first duty. In me doing this, these melodies and symphonies will stand to live the test of time. I would describe my sound as ‘precious metal’ because it’s a sound unique to Africa, also tapping into the gold and platinum we have on this continent.

“This also speaks to the way I would like my music to be exported and valued in the world… I want to be preciously handled and enjoyed as it is rare. I often perform my music abroad. I’ve toured Europe and I’m yet to tour Australia… I’ve also performed locally. I recently performed at Queertopia and the ICA Live Art Festival in Cape Town.”

Marea is set to release his up-and-coming solo album, On the Romance of Being. He described it as medicine that takes the form of hypnotic beats, ancient melodies, and soaring, gospel-inspired synths and horns – an album he recorded live with an ensemble of 13 musicians.

“In my latest offering, I’ve worked with some producers on certain songs but I produced 90% of my album. My single Be Free is a song that speaks to me… it touches my soul, my well-being and my craft,” he says.

“This song is track number two on the album and I am so excited to share it with my fans.

“Another thing is, my ancestors gave me an instruction to record my album with a live band. The reasoning? It was a way to ensure that the music carried the soul. We were all united in the most intimate parts of our consciousness. The music made us one.”

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