Through the lens of Abolova
The gritty image of a young man perched on the top of a now defunct telephone booth as he gazes into the camera is quite memorable.
He squats, almost collapsing on himself, add to that a slash of cool green lettering spelling out Vogue and it immediately takes the picture to another level.
It's jarring, this name we associate with Eurocentric narrative and the loose posture of this young man who reminds us all of the streets of our townships.
This image was created by the art collective AboLova, a six-person group, on a whim when they took part in the Vogue challenge that had social media abuzz not so recently.
"We really wanted to take ulova internationally; we really wanted to show that ulova has so much more potential, that ulova can be an international thing. It was the best representation of us in our environment," says Zenhlanhla Myeni, the creative director of the group.
The picture seems to speak to the current struggles of South Africa's youth.
Many are unemployed but looking global, unapologetically offering what is uniquely South African to the world on their terms. Half the art collective is employed while the other half is not.
The 24-year-old Myeni says creating content is expensive and they only have one camera that they use. But even with that they've managed to partner up with brands such as Thesis, an iconic Soweto lifestyle brand.
They shot for them and also worked on their website. Myeni hopes to create more work for himself and his team while sharing and celebrating the youth's vision of South Africa.
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